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・ Jacques de Chambly
・ Jacques de Champlain
・ Jacques de Chevanes
・ Jacques de Châtillon
・ Jacques de Claeuw
・ Jacques de Clermont-d'Amboise
・ Jacques de Coras
・ Jacques de Cysoing
・ Jacques de Dinant
・ Jacques De Fence
・ Jacques de Flesselles
・ Jacques de Foix
・ Jacques de Foix, Count of Montfort
・ Jacques de Féraudy
・ Jacques de Germigny
Jacques de Gouy
・ Jacques de Groote
・ Jacques de Guyse
・ Jacques de Harlay
・ Jacques de Kadt
・ Jacques de Kervor
・ Jacques de l'Ange
・ Jacques de la Brosse
・ Jacques de la Faye
・ Jacques de La Palice
・ Jacques de Lacretelle
・ Jacques de Lajoue
・ Jacques de Lalaing
・ Jacques de Lalaing (artist)
・ Jacques de Lamberville


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Jacques de Gouy : ウィキペディア英語版
Jacques de Gouy
Jacques de Gouy (ca. 1610after 1650) was a French Baroque composer of Dutch ancestry. He was acquainted with composers in Parisian music circles of the early 17th century such as Étienne Moulinié and Michel Lambert.〔(Denise Launay, ''Gouy, Jacques de'' ) The New Grove Dictionary of Music & Musicians〕
==Works==
In his writings, de Gouy mentions having composed motets and ''airs,'' yet all of his published work is lost, save his ''Airs à quatre parties sur la Paraphrase des pseaumes de Godeau'' (1650), a setting of Antoine Godeau's ''Paraphrases'', including a long and informative preface. De Gouy only published the first 50 of the 150 psalms, because the work was received as too academic.〔(Denise Launay, ''Gouy, Jacques de'' )〕
De Gouy promoted Jean Le Maire's new system of notation, called "la musique almérique", by handing out engraved music scores to concert guests attending the première of ''Estrennes pour Messieurs et Dames du Concert de la Musique Almérique, presentée par M. Goüy premier professeur en icelle: en l'année 1642'', a chanson in four parts specifically written for that occasion.〔(Albert Cohen, ''Jean Le Maire and La Musique Almerique'' ) JSTOR: Acta Musicologica: Vol. 35, Fasc. 4 (Oct. - Dec., 1963), p 175〕 He also published a learning method for plainchant according to Le Maire's system, ''Table en faveur des ecclésiastiques, pour apprendre facilement le plain-chant selon l’art de l’incomparable M. Le Maire'', which is also lost.〔

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